Books and Arts; Film Review;The Cannes film festival; Subtle story;
文艺；影评；戛纳电影节；微妙的故事；

Abdellatif Kechiche's film, “La vie d'Adele”, carries off the top prize;
阿布戴·柯西胥执导的电影《阿黛尔的生活》摘得桂冠；

At A time of national collective depression in France, the Cannes film festival is a precious moment: an occasion to show the world that it can still host the most prestigious film festival, throw star-studded parties and draw the best Hollywood talent. Over the years, Cannes has also become a chance for the industry to make a point, and it was easy to see one in this year's winner of the Palme d'Or, the festival's top prize. It went to “La vie d'Adele” (“Blue is the Warmest Colour”), a three-hour erotic lesbian drama directed by a Tunisian-born director, Abdellatif Kechiche. “A perfect symbol,” mused Libération.

在法国举国笼罩在阴郁之下时，戛纳电影节成为其最闪耀的一刻：法国向世人证明了自己仍旧可以举办世界上最具盛名的电影节、众星云集的晚会，同时也吸引着每一位好莱坞明星。多年来，戛纳一直都是电影业界阐述观念的舞台，而今年的金棕榈奖——戛纳电影节最高奖项的获奖得主，也能够看出这一点。今年的获奖影片是由出生在突尼斯的导演阿布戴·柯西胥执导、以三小时时长讲述了女同性恋故事的《阿黛尔的生活》（《蓝色是一种暖色调》）。法国解放报这样写道：“这是一个完美的象征。”

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