2. Then we have the
easel, with a very big tileable wood texture, UV-mapped so the repetition of the texture in the object is not obvious.
我们制作这个黑板架,给它上了一张非常大的花木质贴图,完全是按照UV贴图的方式循环使用的,所幸这并不很明显。
3. In one corner was a blank canvas on an
easel that had been waiting there for twenty-five years to receive the first line of the masterpiece.
一幅空白的画布绷在一个画架上,摆在屋角里,等待那幅杰作已经二十五年了,可是连一根线条还没等着。