96. The urban family unit described in the passage
　　A. consisted of people related by blood.
　　B. was made up of workers, servants and family members.
　　C. excluded domestics and craftsmen.
　　D. was composed of members of the same social class.

　　97. How did young noblemen receive their education?
　　A. They were taught in their own homes.
　　B. They received training in practical skills.
　　C. They were sent to other households.
　　D. They were educated with other young men.

　　98. According to the writer, why were there few free-standing houses?
　　A. Building land was expensive.
　　B. Such houses were costly to construct.
　　C. Such houses suffered the effects of bad weather.
　　D. There was no room left for a garden.

　　99. Where could you have expected to find glass used in the fourteenth century?
　　A. In small windows in private houses.
　　B. In buildings designed for public use.
　　C. Forming one part of a window protection.
　　D. Behind protective shutters.

　　100. In the writer's opinion, all-glass windows were not an improvement because they were less
　　E. healthy.
　　F. attractive.
　　G. economical.
　　H. hard-wearing.

　　Section 3: Cloze Test (25 Points)
　　In the following passage, there are 25 blanks representing words that are missing from the context. You are to provide each of the blanks with the missing word. The time for this section is 25 minutes. Write your answers on the ANSWER SHEET.

　　Social Responsibility in Science and Art

　　Compared with the immediate practical responsibility of the scientist, the _____(1) of the artist must seem puny. The decision which faces ____(2) is not one of practical action: of course he will try to throw this ____(3) into the scale, and that weight, if he is a writer or ____(4) a painter of genius, may have its effect. For the novelist - in our society the only artist who has a mass audience and at the same time effective economic control of the means of addressing ____(5) - the hope of some decisive influence is a reasonable ____(6). For him, since he takes of all artists _____(7) is probably the largest portion of his culture as material, there is no _____(8) escape from the necessity for treating the content of his work seriously than ____(9) is for the social psychologist he is coming so closely to resemble. The dichotomy which people have tried to establish between artistic proficiency and _____(10) content is becoming unbearable to almost all sensitive minds. I doubt if it has ever been real - we might have admired Shelley as ____(11) if he had been indifferent to such things as war and tyranny, though I doubt it; certainly ____(12) he been indifferent we should never have been led by ____(13).
　　There is no H

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