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The idealized paintings of nature produced in the eighteenth century are evidence that the medieval_____natural settings had been_____and that the outdoors now could be enjoyed without trepidation.
Blank(i) Blank(ii)
A.fear of
B.concerns about
C.disinterest in
D.exorcised
E.regained
F.confronted
Blank(i) Blank(ii)
A.fear of
B.concerns about
C.disinterest in
D.exorcised
E.regained
F.confronted
| 重点单词 | 查看全部解释 | |||
| evidence | ['evidəns] | 联想记忆 | ||
| trepidation | ['trepi'deiʃən] | 联想记忆 | ||
| disinterest | [dis'intrist, -'intərist] | 联想记忆 | ||
| medieval | [medi'i:vəl] | 联想记忆 |
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