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So we may return to my beginning. Even with the most educated and the most literate, the King's English slips and slides in conversation. There is no worse conversationalist than the one who punctuates his words as he speaks as if he were writing, or even who tries to use words as if he were composing a piece of prose for print. When E. M. Forster writes of "the sinister corridor of our age," we sit up at the vividness of the phrase, the force and even terror in the image. But if E. M. Forster sat in our living room and said, "We are all following each other down the sinister corridor of our age," we would be justified in asking him to leave.
由此我们可以回到我先前的话题上了。即便是那些学问再高、文学修养再好的人，他们所讲的标准英语在交谈中也常常会离谱走调。要是有谁闲聊时也像做文章一样句逗分明，或者像写一篇要发表的散文一样咬文嚼字的话，那他讲起话来就一定会极为倒人胃口。看到EM福斯特笔下写出"当今这个时代的阴森可怖的长廊"时，其用语之生动及由其所产生的生动有力、甚至可怖的形象令我们拍案叫绝。但假若福斯特坐在我们的会客室里说"我们大家正一个接一个地步入这个时代的阴森可怖的长廊"时，那我们完全有理由请他走开。
Great authors are constantly being asked by foolish people to talk as they write. Other people may celebrate the lofty conversations in which the great minds are supposed to have indulged in the great salons of 18th century Paris, but one suspects that the great minds were gossiping and judging the quality of the food and the wine. Henault, then the great president of the First Chamber of the Paris Parlement, complained bitterly of the terrible sauces at the salons of Mme.
常常有一些愚人要求大文豪们谈话时也像写文章一样字字珠玑。也有些人对18世纪巴黎的文艺沙龙里那些文人雅士的高谈阔论极表称羡。可是，说不定那些文人雅士们在那里也不过是闲聊，谈论酒食的好坏哩。当时的巴黎大法院第一厅厅长亨奥尔特在德苏侯爵夫人家的沙龙里作客时就曾大叫着说"调料糟透了"，
Deffand, and went on to observe that the only difference between her cook and the supreme chef, Brinvilliers, lay in their intentions.
接着还大发议论说侯爵夫人家的厨子和总厨师长布兰维利耶之间的唯一差别只不过用心不一而已。
The one place not to have dictionaries is in a sitting room or at a dining table. Look the thing up the next morning, but not in the middle of the conversation.
会客室里和餐桌上是无需摆上词典的。闲聊过程中若遇上弄不明白需待查实的问题可留待第二天再说，不要话说到一半却去一边查起字典来。
