Chapter 21
Down on the dry, red world of Kakrafoon, in the middle of the vast Rudlit Desert, the stage technicians were testing the sound system.
That is to say, the sound system was in the desert, not the stage technicians. They had retreated to the safety of Disaster Area’s giant control ship which hung in orbit some four hundred miles above the surface of the planet, and they were testing the sound system from there. Anyone within five miles of the speaker silos wouldn’t have survived the tuning up.
If Arthur Dent had been within five miles of the speaker silos then his expiring thought would have been that in both size and shape the sound rig closely resembled Manhattan. Risen out of the silos, the neutron phase speaker stacks towered monstrously against the sky, obscuring the banks of plutonium reactors and seismic amps behind them.
Buried deep in concrete bunkers beneath the city of speakers lay the instruments that the musicians would control from their ship, the massive photon-ajuitar, the bass detonator and the Megabang drum complex.
It was going to be a noisy show.
Aboard the giant control ship, all was activity and bustle. Hotblack Desiato’s limoship, a mere tadpole beside it, had arrived and docked, and the lamented gentleman was being transported down the high vaulted corridors to meet the medium who was going to interpret his psychic impulses on to the ajuitar keyboard.
A doctor, a logician and a marine biologist had also just arrived, flown in at phenomenal expense from Maximegalon to try to reason with the lead singer who had locked himself in the bathroom with a bottle of pills and was refusing to come out till it could be proved conclusively to him that he wasn’t a fish. The bass player was busy machine-gunning his bedroom and the drummer was nowhere on board.
Frantic inquiries led to the discovery that he was standing on a beach on Santraginus V over a hundred light years away where, he claimed, he had been happy over half an hour now and had found a small stone that would be his friend.
The band’s manager was profoundly relieved. It meant that for the seventeenth time on this tour the drums would be played by a robot and that therefore the timing of the cymbalistics would be right.
The sub-ether was buzzing with the communications of the stage technicians testing the speaker channels, and this it was that was being relayed to the interior of the black ship.
Its dazed occupants lay against the back wall of the cabin, and listened to the voices on the monitor speakers.
“OK, channel nine on power,” said a voice, “testing channel fifteen…”
Another thumping crack of noise walloped through the ship.
“Channel fifteen AOK,” said another voice.
A third voice cut in.
“The black stunt ship is now in position,” it said, “it’s looking good. Gonna be a great sundive. Stage computer on line?”
A computer voice answered.
“On line,” it said.
“Take control of the black ship.”
“Black ship locked into trajectory programme, on standby.”
“Testing channel twenty.”